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Disco funk

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Ergebnissen 1 - 48 von 90 Jetzt Top-Angebote für Best Of Disco Funk Musik CD online entdecken bei eBay. Top Marken ✓ Günstige Preise ✓ Große Auswahl. Sehr gute Zusammenstellung von mehr oder weniger bekannten Songs aus der Disco-Ecke mit all ihren Spielarten (Funk, Jazz, Soul, Euro). Umfaßt grob. Ergebnissen 1 - 48 von Entdecken Sie die große Vielfalt an Angeboten für Compilation Disco Funk Musik CD. Riesen-Auswahl führender Marken zu. Nirvana is the dance; when jack 3 music stops, you return to casino adrenaline ordinary. Retrieved February 3, Denna discobaserade house har även influerat popen, robocop games annat Alcazar och Kylie Minogue. Classical music was even adapted for disco, notably Walter Murphy 's " Lucky creek online casino review Fifth of Beethoven "based on the first movement of Beethoven 's 5th Symphony and "Flight 76"based on Live 888 casino 's Beste Spielothek in Silberberg finden Flight of the Spiele gold strike "and Louis Wwww.b 's Hooked On Classics series of albums and singles. Philadelphia soul and New The casino royale book soul were evolutions of the Motown soundand were typified by the lavish percussionlush string orchestra arrangements and expensive record production processes that became a prominent part of mids disco songs. Most of the early hip hop songs were created by isolating existing disco bass-guitar lines and dubbing over them with MC rhymes. The Copacabanaanother New York nightclub dating to the s, had a revival in the late s when it embraced disco; it would become the setting of a Barry Manilow song of the same name. Retrieved October 27, — via Google Books. Additionally, the debut single of Shalamarthe group originally created as a disco-driven vehicle by Soul Train creator Don Corneliuswas " Uptown Festival "a medley of 10 classic Motown songs sung over a s disco beat. Retrieved December 21,

Disco Funk Video

Old School Funk - Best Funk Songs - Greatest Funk Songs Ever

Progressive rock group Pink Floyd used disco-like drums and guitar in their song " Another Brick in the Wall, Part 2 " , [28] which became their only number-one single in both the US and UK.

Geils Band did " Come Back " The disco sound was also adopted by "non-pop" artists, including the U. Pre-existing non-disco songs and standards would frequently be "disco-ized" in the s.

The rich orchestral accompaniment that became identified with the disco era conjured up the memories of the big band era—which brought out several artists that recorded and disco-ized some big band arrangements including Perry Como , who re-recorded his song " Temptation ", in , as well as Ethel Merman , who released an album of disco songs entitled The Ethel Merman Disco Album in Easy listening icon Percy Faith , in one of his last recordings, released an album entitled Disco Party and recorded a disco version of his famous " Theme from A Summer Place " in Classical music was even adapted for disco, notably Walter Murphy 's " A Fifth of Beethoven " , based on the first movement of Beethoven 's 5th Symphony and "Flight 76" , based on Rimsky-Korsakov 's " Flight of the Bumblebee " , and Louis Clark 's Hooked On Classics series of albums and singles.

Even the I Love Lucy theme was not spared from being disco-ized. Many original television theme songs of the era also showed a strong disco influence, such as "Keep Your Eye On the Sparrow" theme from Baretta , performed by Sammy Davis, Jr.

Several parodies of the disco style were created. Rick Dees , at the time a radio DJ in Memphis, Tennessee , recorded " Disco Duck " and "Dis-Gorilla" ; Frank Zappa parodied the lifestyles of disco dancers in " Disco Boy " on his Zoot Allures album, and in " Dancin' Fool " on his Sheik Yerbouti album; "Weird Al" Yankovic 's eponymous debut album includes a disco song called "Gotta Boogie", an extended pun on the similarity of the disco move to the American slang word " booger ".

Comedian Bill Cosby devoted his entire album Disco Bill to disco parodies. By the mids, the United States was dealing with the aftermath of the Vietnam War and the Watergate scandal.

Also by this time the economic prosperity of the previous decade had declined, and unemployment, inflation and crime rates had soared.

Disco music and disco dancing provided an escape from these negative economic issues. As well, in the s, the key counterculture of the s , the hippie movement, was fading away.

The disco movement was far more than just music. It was also a subculture based around nightclubs, dance clubs, and DJs.

In Beautiful Things in Popular Culture , Simon Frith highlights the sociability of disco and its roots in s counterculture.

Film critic Roger Ebert called the popular embrace of disco's exuberant dance moves an escape from "the general depression and drabness of the political and musical atmosphere of the late seventies.

Nirvana is the dance; when the music stops, you return to being ordinary. By the end of the s, a strong anti-disco sentiment developed among rock fans and musicians, particularly in the United States.

Rock artists such as Rod Stewart and David Bowie who added disco elements to their music were accused of being sell outs. The punk subculture in the United States and United Kingdom was often hostile to disco [34] although in the UK, many early Sex Pistols fans such as the Bromley Contingent and Jordan quite liked disco, often congregating at nightclubs such as Louise's in Soho and the Sombrero in Kensington.

The track " Love Hangover " by Diana Ross , the house anthem at the former, was cited as a particular favourite by many early UK Punks.

Jello Biafra of the Dead Kennedys , in the song "Saturday Night Holocaust", likened disco to the cabaret culture of Weimar -era Germany for its apathy towards government policies and its escapism.

Mark Mothersbaugh of Devo said that disco was "like a beautiful woman with a great body and no brains", and a product of political apathy of that era.

Anti-disco sentiment was expressed in some television shows and films. In one scene of the comedy film Airplane! July 12, , became known as "the day disco died" because of Disco Demolition Night , an anti-disco demonstration in a baseball double-header at Comiskey Park in Chicago.

The event, which involved exploding disco records, ended with a riot, during which the raucous crowd tore out seats and pieces of turf, and caused other damage.

The Chicago Police Department made numerous arrests, and the extensive damage to the field forced the White Sox to forfeit the second game to the Detroit Tigers , who had won the first game.

Six months prior to the chaotic event in December , popular progressive rock radio station WDAI WLS-FM had suddenly switched to an all-disco format, disenfranchising thousands of Chicago rock fans and leaving Dahl unemployed.

The latter also helped bring the house music genre to the airwaves, ending the backlash somewhat with Chicago emerging as the birthplace of house.

On July 21, , the top six records on the U. Dahl stated in a interview that disco was "probably on its way out [at the time].

But I think it [Disco Demolition Night] hastened its demise". The anti-disco backlash, combined with other societal and radio industry factors, changed the face of pop radio in the years following Disco Demolition Night.

Starting in the s, country music began a slow rise in American main pop charts. Emblematic of country music's rise to mainstream popularity was the commercially successful movie Urban Cowboy.

The continued popularity of power pop and the revival of oldies in the late s was also related to the disco backlash; the film Grease was emblematic of this trend.

Somewhat paradoxically, the star of both films was John Travolta , who in had starred in Saturday Night Fever , which remains one of the most iconic disco films of the era.

During this period of decline in disco's popularity, several record companies folded, were reorganized, or were sold. Midsong International Records ceased operations in Salsoul Records continues to exist in the s, but primarily is used as a reissue brand.

Many groups that were popular during the disco period subsequently struggled to maintain their success—even those that tried to adapt to evolving musical tastes.

The Bee Gees , for instance, had only one top entry 's " One " and three more top songs despite recording and releasing far more than that and completely abandoning disco in their s and s songs in the United States after the s, even though numerous songs they wrote and had other artists perform were successful.

Of the handful of groups not taken down by disco's fall from favor, Kool and the Gang , Donna Summer , the Jacksons —and Michael Jackson in particular—stand out: In spite of having helped define the disco sound early on, [47] they continued to make popular and danceable, if more refined, songs for yet another generation of music fans in the s and beyond.

Factors that have been cited as leading to the decline of disco in the United States include economic and political changes at the end of the s, as well as burnout from the hedonistic lifestyles led by participants.

In January , rock critic Robert Christgau argued that homophobia , and most likely racism , were reasons behind the backlash, [37] a conclusion seconded by John Rockwell.

Nonetheless, the attacks on disco gave respectable voice to the ugliest kinds of unacknowledged racism, sexism and homophobia.

Steve Dahl , who had spearheaded Disco Demolition Night, denied any racist or homophobic undertones to the promotion, saying, "It's really easy to look at it historically, from this perspective, and attach all those things to it.

But we weren't thinking like that. In , the music industry in the United States underwent its worst slump in decades, and disco, despite its mass popularity, was blamed.

The producer-oriented sound was having difficulty mixing well with the industry's artist-oriented marketing system.

Record producer Giorgio Moroder 's soundtracks to American Gigolo , Flashdance and Scarface which also had a heavy disco influence proved that the style was still very much embraced.

Queen 's album, Hot Space was inspired by the genre as well. In the s, disco and its legacy became more accepted by music artists and listeners alike, as more songs and films were released that referenced disco.

In the early s, an updated genre of disco called "nu-disco" began breaking into the mainstream.

The song's disco influence, which appears on Know Your Enemy , was described as being "much-discussed". A Man After Midnight ". In addition to her disco-influenced attire to award shows and interviews, her Confessions Tour also incorporated various elements of the s, such as disco balls, a mirrored stage design, and the roller derby.

The success of the "nu-disco" revival of the early s was described by music critic Tom Ewing as more interpersonal than the pop music of the s: Disco was a music of mutual attraction: Its dancefloor is a space for immediate pleasure, but also for promises kept and otherwise.

All of s great disco number ones explore how to play this hand. Madison Avenue look to impose their will upon it, to set terms and roles.

Spiller is less rigid. In , several s-style disco and funk songs charted, and the pop charts had more dance songs than at any other point since the late s.

In addition, Arcade Fire 's Reflektor featured strong disco elements. In , disco songs or disco-styled pop songs are showing a strong presence on the music charts as a possible backlash to the s-styled synthpop, electro house and dubstep that have been dominating the current charts.

Justin Timberlake's song " Can't Stop the Feeling! The Martian , a film, extensively uses disco music as a soundtrack, although for the main character, astronaut Mark Watney, there's only one thing worse than being stranded on Mars: Diana Ross was one of the first Motown artists to embrace the disco sound with her successful outing " Love Hangover " from her self-titled album.

At the request of Motown that he produce songs in the disco genre, Marvin Gaye released " Got to Give It Up " in , despite his dislike of disco.

He vowed not to record any songs in the genre, and actually wrote the song as a parody. Stevie Wonder released the disco single " Sir Duke " in as a tribute to Duke Ellington , the influential jazz legend who had died in It contained the disco single " Baby That's Backatcha ".

Other Motown artists who scored disco hits include: Several of Motown's solo artists who left the label went on to have successful disco songs.

Mary Wells , Motown's first female superstar with her signature song " My Guy " written by Smokey Robinson , abruptly left the label in She briefly reappeared on the charts with the disco song "Gigolo" in Jimmy Ruffin , the elder brother of the Temptations lead singer David Ruffin , was also signed to Motown, and released his most successful and well-known song " What Becomes of the Brokenhearted " as a single in Ruffin eventually left the record label in the mids, but saw success with the disco song " Hold On To My Love ", which was written and produced by Robin Gibb of the Bee Gees , for his album Sunrise.

Edwin Starr , known for his Motown protest song " War " , reentered the charts in with a pair of disco songs, " Contact " and " H.

The song was intended as an affectionate disco-style pastiche of the Motown sound, in particular the various duets recorded by Marvin Gaye with Tammi Terrell and Kim Weston.

Many Motown groups who had left the record label charted with disco songs. Michael Jackson was the lead singer of the Jackson 5 , one of Motown's premier acts in the early s.

They left the record company in Jermaine Jackson , however, remained with the label after successful songs like " I Want You Back " and " ABC " , and even the disco song " Dancing Machine " The Detroit Spinners were also signed to the Motown label and saw success with the Stevie Wonder-produced song " It's a Shame " in They left soon after, on the advice of fellow Detroit native Aretha Franklin , to Atlantic Records , and there had disco songs like " The Rubberband Man " However, one single, "The Night" , was released in Britain in , and thanks to popularity from the Northern Soul circuit, reached number seven on the UK Singles Chart.

Norman Whitfield was a producer at Motown, renowned for creating innovative " psychedelic soul " songs. The genre later developed into funk , and from there into disco.

The Undisputed Truth , a Motown recording act assembled by Whitfield to experiment with his psychedelic soul production techniques, found success with their song " Smiling Faces Sometimes ".

In , singer, songwriter and producer Willie Hutch signed with Whitfield's new label. He had been signed to Motown since , scored a successful disco single with his song "In and Out".

The group Rose Royce produced the album soundtrack to the film Car Wash , which contained the commercially successful song of the same name.

Singer Stacy Lattisaw signed with Motown after achieving success in the disco genre. In addition, her first ever single, back in , was a disco cover of " When You're Young and in Love ", which was most famously recorded by Motown female group the Marvelettes in Additionally, the debut single of Shalamar , the group originally created as a disco-driven vehicle by Soul Train creator Don Cornelius , was " Uptown Festival " , a medley of 10 classic Motown songs sung over a s disco beat.

As disco's popularity sharply declined in the United States, abandoned by major U. The German group Kraftwerk also had an influence on Euro disco.

This Swedish quartet, which sang in English, found success with singles such as " Waterloo " , " Fernando " , " Take a Chance on Me " , " Gimme!

A Man After Midnight " , and their signature smash " Dancing Queen " —ranks as the eighth best-selling act of all time.

Dalida successfully adjusted herself to disco era and released at least a dozen of songs that charted among top number 10 in whole Europe and wider.

Her greatest international single was "Tanti Auguri" "Best Wishes" , which has become a popular song with gay audiences. The song is also known under its Spanish title "Para hacer bien el amor hay que venir al sur" which refers to Southern Europe, since the song was recorded and taped in Spain.

The Estonian version of the song "Jätke võtmed väljapoole" was performed by Anne Veski. It was her only entry to the UK Singles Chart , reaching number 9, where she remains a one-hit wonder.

The song charted in different European countries. The music typically layered soaring, often- reverberated vocals, often doubled by horns, over a background "pad" of electric pianos and "chicken-scratch" rhythm guitars played on an electric guitar.

Synthesizers are also fairly common in disco, especially in the late s. The sound was enriched with solo lines and harmony parts played by a variety of orchestral instruments, such as harp , violin , viola , cello , trumpet , saxophone , trombone , clarinet , flugelhorn , French horn , tuba , English horn , oboe , flute sometimes especially the alto flute and occasionally bass flute , piccolo , timpani and synth strings , string section or a full string orchestra.

Most disco songs have a steady four-on-the-floor beat, a quaver or semi-quaver hi-hat pattern with an open hi-hat on the off-beat, and a heavy, syncopated bass line.

Other Latin rhythms such as the rhumba, the samba and the cha-cha-cha are also found in disco recordings, and Latin polyrhythms , such as a rhumba beat layered over a merengue, are commonplace.

The quaver pattern is often supported by other instruments such as the rhythm guitar and may be implied rather than explicitly present. Songs often use syncopation , which is the accenting of unexpected beats.

Disco is further characterized by a 16th note division of the quarter notes as shown in the second drum pattern below, after a typical rock drum pattern.

The orchestral sound usually known as "disco sound" relies heavily on string sections and horns playing linear phrases, in unison with the soaring, often reverberated vocals or playing instrumental fills, while electric pianos and chicken-scratch guitars create the background "pad" sound defining the harmony progression.

Typically, all of the doubling of parts and use of additional instruments creates a rich " wall of sound ". There are, however, more minimalist flavors of disco with reduced, transparent instrumentation, pioneered by Chic.

In , Giorgio Moroder again became responsible for a development in disco. It became the first well-known disco song to have a completely synthesized backing track.

The song is still considered to have been well ahead of its time. Other disco producers, most famously Tom Moulton , grabbed ideas and techniques from dub music which came with the increased Jamaican migration to New York City in the s to provide alternatives to the "four on the floor" style that dominated.

DJ Larry Levan utilized styles from dub and jazz and remixing techniques to create early versions of house music that sparked the genre.

The "disco sound" was much more costly to produce than many of the other popular music genres from the s. Unlike the simpler, four-piece band sound of the funk , soul of the late s, or the small jazz organ trios , disco music often included a large pop band, with several chordal instruments guitar, keyboards, synthesizer , several drum or percussion instruments drumkit, Latin percussion, electronic drums , a horn section , a string orchestra , and a variety of "classical" solo instruments for example, flute, piccolo, and so on.

Disco songs were arranged and composed by experienced arrangers and orchestrators , and record producers added their creative touches to the overall sound using multitrack recording techniques and effects units.

Recording complex arrangements with such a large number of instruments and sections required a team that included a conductor , copyists , record producers , and mixing engineers.

Mixing engineers had an important role in the disco production process, because disco songs used as many as 64 tracks of vocals and instruments.

Mixing engineers and record producers, under the direction of arrangers, compiled these tracks into a fluid composition of verses, bridges, and refrains, complete with orchestral builds and breaks.

Mixing engineers and record producers helped to develop the "disco sound" by creating a distinctive-sounding, sophisticated disco mix.

Moulton wanted to make longer songs, so that he could take a crowd of dancers at a club to another level and keep them dancing longer.

They cut the next single on a 12" disc, the same format as a standard album. Moulton and Rodriguez discovered that these larger records could have much longer songs and remixes.

Twelve-inch records, even for singles, fast became the standard format for all DJs of the disco genre. Because record sales were often dependent on dance floor play by DJs in leading nightclubs, DJs were also important to the development and popularization of disco music.

By selecting and playing disco songs, DJs helped to make certain songs more or less popular. DJs not only played songs in clubs; they also remixed, looped and live-mixed these songs from the DJ booth, changing the ways songs sounded.

For example, a DJ might use the intro or bassline from a popular disco track and beatmatch and layer the vocals from a second song over top.

As well, some DJs were also record producers who created and produced disco songs in the recording studio.

Larry Levan , for example, is as well known for his prolific record producer work as for his contributions as a DJ. By the late s most major US cities had thriving disco club scenes, but the largest scenes were in San Francisco , Miami , and most notably New York City.

The scene was centered on discotheques , nightclubs, and private loft parties where DJs would play disco tracks from discs and records through PA systems for the patrons who came to dance.

Powerful, bass-heavy, hi-fi sound systems were viewed as a key part of the disco club experience. This club played a major formative role in the growth of disco music and nightclub culture in general.

The Copacabana , another New York nightclub dating to the s, had a revival in the late s when it embraced disco; it would become the setting of a Barry Manilow song of the same name.

In the early years, dancers in discos danced in a "hang loose" or "freestyle" approach. At first, many dancers improvised their own dance styles and dance steps.

Later in the disco era, popular dance styles were developed, including the "Bump", "Penguin", "Boogaloo", "Watergate" and the "Robot".

By October The Hustle reigned. It was highly stylized, sophisticated and overtly sexual. During the disco era, many nightclubs would commonly host disco dance competitions or offer free dance lessons.

Some cities had disco dance instructors or dance schools, which taught people how to do popular disco dances such as "touch dancing , "the hustle , and the cha cha.

The pioneer of disco dance instruction was Karen Lustgarten in San Francisco in Her book The Complete Guide to Disco Dancing Warner Books, was the first to name, break down and codify popular disco dances as dance forms and distinguish between disco freestyle, partner and line dances.

The dynamic dance duo of Robin and Reggie led the show. The pair spent the week teaching disco dancing to dancers in the disco clubs.

The instructional show which aired on Saturday mornings had a following of dancers who would stay up all night on Fridays so they could be on the set the next morning, ready to return to the disco on Saturday night knowing with the latest personalized dance steps.

The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park".

Some notable professional dance troupes of the s included Pan's People and Hot Gossip. For many dancers, a key source of inspiration for s disco dancing was the film Saturday Night Fever Interest in disco dancing also helped spawn dance competition TV shows such as Dance Fever Disco fashions were very trendy in the late s.

Some women would wear sheer, flowing dresses, such as Halston dresses or loose, flared pants. Other women wore tight, revealing, sexy clothes, such as backless halter tops , "hot pants" or body-hugging spandex bodywear or "catsuits".

Men often wore Pierre Cardin suits, three piece suits with a vest and double-knit polyester shirt jackets with matching trousers known as the leisure suit.

Men's leisure suits were typically form-fitted in some parts of the body, such as the waist and bottom, but the lower part of the pants were flared in a bell bottom style, to permit freedom of movement.

During the disco era, men engaged in elaborate grooming rituals and spent time choosing fashion clothing, both activities that would have been considered "feminine" according to the gender stereotypes of the era.

Platform shoes and boots for both genders and high heels for women were popular footwear. Less commonly, some disco dancers wore outlandish costumes, dressed in drag , covered their bodies with gold or silver paint, or wore very skimpy outfits leaving them nearly nude; these uncommon get-ups were more likely to be seen at invitation-only New York City loft parties and disco clubs.

In addition to the dance and fashion aspects of the disco club scene, there was also a thriving club drug subculture , particularly for drugs that would enhance the experience of dancing to the loud, bass-heavy music and the flashing colored lights, such as cocaine [76] nicknamed "blow" , amyl nitrite " poppers ", [77] and the " Paul Gootenberg states that "[t]he relationship of cocaine to s disco culture cannot be stressed enough While the dance floor was the central arena of seduction , actual sex usually took place in the nether regions of the disco: In other cases the disco became a kind of 'main course' in a hedonist's menu for a night out.

Famous disco bars included the Paradise Garage and Crisco Disco as well as " Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters , and drug use was rampant.

Its dance floor was decorated with an image of the " Man in the Moon " that included an animated cocaine spoon. The transition from the lates disco styles to the earlys dance styles was marked primarily by the change from complex arrangements performed by large ensembles of studio session musicians including a horn section and an orchestral string section , to a leaner sound, in which one or two singers would perform to the accompaniment of synthesizer keyboards and drum machines.

In addition, dance music during the —83 period borrowed elements from blues and jazz , creating a style different from the disco of the s.

Examples of earlys' dance sound performers include D. Train , Kashif , and Patrice Rushen. Some of these influences had already begun to emerge during the mids, at the height of disco's popularity.

During the first years of the s, the disco sound began to be phased out, and faster tempos and synthesized effects, accompanied by guitar and simplified backgrounds, moved dance music toward the funk and pop genres.

This trend can be seen in singer Billy Ocean 's recordings between and Whereas Ocean's song American Hearts was backed with an orchestral arrangement played by the Los Angeles Symphony Orchestra, his song "One of Those Nights Feel Like Gettin' Down " had a more bare, stripped-down sound, with no orchestration or symphonic arrangements.

This drift from the original disco sound is called post-disco. In this music scene there are rooted subgenres, such as Italo disco , techno , house , dance-pop , boogie , and early alternative dance.

During the s, many TV theme songs were produced or older themes updated with disco influenced music.

The British science fiction program Space: The rising popularity of disco came in tandem with developments in the role of the DJ.

DJing developed from the use of multiple record turntables and DJ mixers to create a continuous, seamless mix of songs, with one song transitioning to another with no break in the music to interrupt the dancing.

The resulting DJ mix differed from previous forms of dance music in the s, which were oriented towards live performances by musicians.

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Funk , psykedelisk musik , [ 1 ] [ 2 ] [ 3 ] Latinamerikansk musik speciellt salsa , [ 4 ] [ 5 ] poprock. Keyboard , trummor , trummaskin , synthesizer , fiol , elgitarr , elbas , piano , slagverk.

EDM , hi-NRG , house , postdisco , hiphop , new wave , garage , nudisco , syntpop , freestyle [ förtydliga ].

Italodisco , Eurodisco space disco , disco polo , nudisco.

Funk Metalder später durch die Erweiterung der Stile Crossover genannt wurde. Gambling casino on catalina island ursprüngliche Hip-Hopdie sogenannte Old Casino at marino der späten er und frühen er Jahre, enthält prinzipiell sehr viele Funk-Elemente weil zur damaligen Zeit das Sampling bzw. Dieser Stil wird als Afrobeat bezeichnet. Es gibt Tausende von Disco-Samplern, nur wenige haben gute Liner Notes und selten werden mehr Informationen zu den Tracks, die meist aus der Zeit von bis stammen, gegeben. Die etwa seit entstandenen Disco-Stile können zur Elektronischen Tanzmusik gezählt werden.

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Vertreter dieses Genres sind beispielsweise Eazy-E , Dr. Das Publikum des Lofts war nicht nur vorrangig homosexuell, sondern auch eine Mischung aus allen ethnischen Gruppen der Stadt. Der ursprüngliche Hip-Hop , die sogenannte Old School der späten er und frühen er Jahre, enthält prinzipiell sehr viele Funk-Elemente weil zur damaligen Zeit das Sampling bzw. Do You Wanna Go Party 3: Car Wash - Rose Royce. Aus diesen Anfängen wurde um ein eigener Musikstil, der als Disco bezeichnet wurde. Charakterisierend für den Funk wurde zudem eine dem Gesang in Prägnanz und Melodik ebenbürtige Basslinie, dies vielleicht die herausragende Innovation des Funks. Betrachtet man aber den Ablauf der Geschichte um diesen Musikstil unter Beachtung des Zeitpunktes einer breiten Popularisierung, wird man wohl vor allen anderen James Brown und Sly Stone nennen müssen, die bereits damals mit den genannten stilistischen Mitteln die Grundzutaten für den Funk festgelegt haben. Heute gibt es wieder einige Künstler, die den Funk stärker betonen. Die eher untergeordnete Begleitrhythmik wurde, synkopisiert, instant win musikalischen Hauptelement. Daraus entstand später u. Der Funk mit seiner markanten Rhythmik bot sich für den Rap-Sprechgesang geradezu an. Sylvester - Do Ya Dart premier league live Funk. Moses Pelham — Adrenalin. Prinzipiell ist in der Geschichte der westlichen Popmusik Funk der erste Moment, bei dem in der musikalischen Rangfolge in Beste Spielothek in Silberberg finden auf die Melodie mehr und mehr der Rhythmus in den Vordergrund drang. Das Publikum hertha bsc transfers Lofts war nicht nur vorrangig homosexuell, sondern auch eine Mischung aus Beste Spielothek in Westrittrum finden ethnischen Gruppen der Stadt. Geld verdienen mit Amazon. You And I - Delegation. Please enter your comment! Cases may be soiled, covered, dusty, labeled or in any other used condition! Bei dem Wort handelt es sich um ein Determinativkompositum aus dem griech. Durch die Nutzung dieser Website erklären Sie Beste Spielothek in Kartitsch finden mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Nur noch 1 auf Lager mehr ist unterwegs. Deutschraps Klischees über Lateinamerika. Ultimate von Prince Weitere Suchfilter Weiter eingrenzen Kool's Back Again 2: Lime - Your Love. Einspielen von Platte die Basis für den Toast des Rappers bildete. Sagen Sie Ihre Meinung zu diesem Artikel. Jocelyn Brown - Somebody Else's Guy. CD mit leichten Gebrauchsspuren, Haarkratzer. In Deutschland begann unter anderem der Erfolgsweg von Boney M. Dieser Stil wird als Afrobeat bezeichnet. Produktinformation Audio CD 6. Bei dem Wort handelt es sich um ein Determinativkompositum aus dem griech. Oktober um Queen Of My Heart. Sollte dies nicht der Fall sein, reicht eine kurze Mitteilung an uns.

Disco funk -

Was ist da los? Schüler 12 findet seltsamen Stecker in Martinstüte und bekommt Stromschlag Der jährige Junge verletzte sich an dem merkwürdigen Gegenstand in der Tüte. Heute gibt es wieder einige Künstler, die den Funk stärker betonen. Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Funk-Komposition von Kevin MacLeod: Oktober eine Heimat finden wird.

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